WORLD CINEMA .
INDIE BRAZIL .
GARAGE CINEMA .
UNDERGROUND MUSIC .
DARK MATINÉE .
THE SANG-SOO'S WORLD .
RETRO INDIE
09.10 - Usina 4 - 21:30
ABATEDOURO
by Vinícius Cabral, MG, 2007, 9´.
Diego Lisboa is taken to a slaughterhouse after being found walking in circles.
by Vinícius Cabral, MG, 2007, 9´.
Diego Lisboa is taken to a slaughterhouse after being found walking in circles.
ALIENAÇÃO PODE SER CONTROLA EM DOSES
by Érika Fraenkel, RJ, 2006, 5´.
The danger of false awareness and its harmful effects.
by Érika Fraenkel, RJ, 2006, 5´.
The danger of false awareness and its harmful effects.
ACOSSADA
by Karen Akerman, RJ, 2006, 7´.
A young French woman finds herself lost in Rio de Janeiro and faces members of the local cinema mafia. Who will save her?
by Karen Akerman, RJ, 2006, 7´.
A young French woman finds herself lost in Rio de Janeiro and faces members of the local cinema mafia. Who will save her?
A CASA, A ESCADA E A RUA
by Agmar Andrade, MG, 2007, 2´27´´.
Animation based on images made in subhuman land settlements in Ipatinga-MG.
by Agmar Andrade, MG, 2007, 2´27´´.
Animation based on images made in subhuman land settlements in Ipatinga-MG.
MOÇA E CHITA NÃO TEM FEIA E NEM BONITA
by Alex Lindolfo, MG, 2007, 4´24´´.
"May is the month of much adventure
it is hardly morning
it is already dark night."
by Alex Lindolfo, MG, 2007, 4´24´´.
"May is the month of much adventure
it is hardly morning
it is already dark night."
DIA AGNÓSTICO
by Davi Fuzari & Laryssa Mariano, MG, 2007, 5’38´´.
Born of a feeling of transformation, diversified esthetics worked with images capture by a digital camera.
by Davi Fuzari & Laryssa Mariano, MG, 2007, 5’38´´.
Born of a feeling of transformation, diversified esthetics worked with images capture by a digital camera.
O FIM DO HOMEM CORDIAL
by Daniel Lisboa, BA, 2004, 2’56’’.
The rebel group SUB v2.7 hijacks the main political leader in the state of Bahia and demand that images of this leader under their control be shown in the local television news.
by Daniel Lisboa, BA, 2004, 2’56’’.
The rebel group SUB v2.7 hijacks the main political leader in the state of Bahia and demand that images of this leader under their control be shown in the local television news.
LANDSCAPE THEORY
by Roberto Bellini, EUA/BR, 2005, 4´16´´.
A gaze and a landscape. A brief speech about the possibility of contemplation, the politics of the gaze and the authority.
by Roberto Bellini, EUA/BR, 2005, 4´16´´.
A gaze and a landscape. A brief speech about the possibility of contemplation, the politics of the gaze and the authority.
bvfrs
by Carlo Sansolo, RJ, 2006, 5´45´´.
Day to day moments in South-American cities in four small parts.
by Carlo Sansolo, RJ, 2006, 5´45´´.
Day to day moments in South-American cities in four small parts.
L-Co
de Nelton Pellenz, RS, 2006, 3´31´´.
Changing the perceptions of the gaze on what is static, fleeting and mobile, generating a new interpretation of the landscape.
de Nelton Pellenz, RS, 2006, 3´31´´.
Changing the perceptions of the gaze on what is static, fleeting and mobile, generating a new interpretation of the landscape.
AS 16 CIDADES QUE TOCARAM MEU CORAÇÃO
by Mário Jaymowich, MG, 2007, 5´.
A brief report about 16 cities in the state of Minas Gerais that have touched my heart.
by Mário Jaymowich, MG, 2007, 5´.
A brief report about 16 cities in the state of Minas Gerais that have touched my heart.
DIVAGAÇÕES EM TORNO DA URINA
by Sérgio Ribeiro, MG, 2007, 2´20´´.
A condition of mirroring between retention and expulsion.
by Sérgio Ribeiro, MG, 2007, 2´20´´.
A condition of mirroring between retention and expulsion.
RIVADAVIA 2010
by Gustavo da Rocha Jardim & Aline X, MG, 2007, 15´.
Gargamela sleeps in the building number 2010 in Rivadavia Avenue. The journey into the deserts of the second dusk begins in the twilight of her eyelids.
by Gustavo da Rocha Jardim & Aline X, MG, 2007, 15´.
Gargamela sleeps in the building number 2010 in Rivadavia Avenue. The journey into the deserts of the second dusk begins in the twilight of her eyelids.
POSSIBILIDADES E IMPOSSIBILIDADES PARA O AMOR
by Cícero Menezes, MG, 2007, 4´07´´.
An autobiographical fiction based on a subtle meta-language. Sarcastically investigating and discussing the [non]existence of love.
by Cícero Menezes, MG, 2007, 4´07´´.
An autobiographical fiction based on a subtle meta-language. Sarcastically investigating and discussing the [non]existence of love.
ROMEU É UM PEIXE NO AQUÁRIO
by Cristiano Balzan, PR, 2002, 3´05´´.
Moments of a character in search of sexual satisfaction in the public restrooms of a bus station.
by Cristiano Balzan, PR, 2002, 3´05´´.
Moments of a character in search of sexual satisfaction in the public restrooms of a bus station.
VESTES RECÉM TIRADAS
by Daniel Saraiva, MG, 2003, 5´13´´.
Skin is deeply associated with vital properties; social aspects can also be read in its symbolic universe.
by Daniel Saraiva, MG, 2003, 5´13´´.
Skin is deeply associated with vital properties; social aspects can also be read in its symbolic universe.
MAIA
by Orlando Lemos & Gui Castor, ES, 2006, 5´.
Simplicity reunited in a game.
by Orlando Lemos & Gui Castor, ES, 2006, 5´.
Simplicity reunited in a game.
MUZUANE EMAKUWA
by Bruno Ribeiro Profeta, Mozambique, 2007, 13´.
Documents the Macua culture, found in the Nampula province in Mozambique. The film includes two diverse populations: Mozambique locals from the Muzuane community, and Brazilians.
by Bruno Ribeiro Profeta, Mozambique, 2007, 13´.
Documents the Macua culture, found in the Nampula province in Mozambique. The film includes two diverse populations: Mozambique locals from the Muzuane community, and Brazilians.
