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SE ME QUEIMO NO FOGO DO DESEJO, PORQUÊ MEUS OLHOS ARDEM N´ÁGUA?
by Joacélio Batista, MG, 2007, 4´08´´.

When faced with doubt, man will always speculate responses.
VELODROME
by Snir Wine, RJ, 1999, 9´.

An insane race of VW beetles.
O AMOR E O DESEJO PODEM TER EXCESSO
by E Disse Que Era Economista, MG, 2007, 2´55´´.

Affective experiences with music and images.
VEJA & OUÇA - MARIA BADERNA NO BRASIL
by André Francioli, SP, 2005, 19´.

Better to die in extremes rather than by extremities.
CLONAZEPAM
by Carlosmagno Rodrigues, MG, 2007, 7´.

A Argentinean jury sarcastically and honestly brings apart Brazilian cinema.
DEZ PRO INFERNO
by Nilson Primitivo, RJ, 2004, 2´30´´.

Have you never felt like sending ten to hell?
FRAGMENTOS DE UMA VIDA
by Peter Baiestorf, SC, 2002, 7´.

Violence against women in Brazilian society is shown openly in this video of explicit gore.
ANTES/DEPOIS
by Christian Caselli, RJ, 2005, 9´.

The influence of publicity on the sexual life of people. Or, basically, an antismoking manifest.
VentilaDOR
by Prostitutas a Cavalo, SP, 2005, 4'12".

On a very warm day in the West, boredom and hate dominate a youth. His only companion is a ventilator that exercises supernatural force inciting him to commit an irrational act.
O DIABO É O QUE NÓIS ACREDITA
by Carlos Canela, MG, 2003, 10´.

The claustrophobia of life, the inevitability of doubt and the ridicule of everything. Toy factories for big people.
CLIMAX, 2006
by Gurcius Gewdner, PR, 2006, 3´.

A video clip for the garage rock group Mechanics, from the state of Goias, with references to cartoon by Fabio Zimbres.
LA RANA RENÉ (O CACO)
by Juan Celín Robalino, MG, 2005, 10´.

Pedro, a lonely man, uses an unusual strategy to win his outgoing neighbor. He has no idea, however, of the problem he is placing himself in.
JE N’AIME PAS LES ESPAGUETE
by Samya Araújo, 2007, CE, 4´05´´

Cook the pasta with tenderness, mix in one tablespoon of salt. Mix occasionally until it becomes al dente. Cover with the sauce of your preference; do not leave out the vilest feelings.
TRANSTORNO
by Fernanda Teixeira, RJ, 2006, 10´.

A frustrated writer is constantly bothered by his grandmother's noisy habits and her 15 cats.
O PREGADOR, O INOCENTE E O BÊBADO
Alessandro Lima, Alex Queiroz & Mateus Brandão, MG, 2007, 2'30''.

A wanderer seen in three levels, haunted by ghosts he himself has conceived.
OS TEMPOS DA PROFESSORINHA
by Fernando Arêdes & Dellani Lima, MG, 2007, 10´.

A group of friends meet always in the same bar to play music, to sing, to drink and to have fun; this habit is handed down from one generation to the next.
PASSOS
by André Hauck, MG, 2006, 13´36´´.

In a public office, Wallace spends his tedious days of work next to Pedro, his colleague; suddenly, he decides to leave. Where to? To face what?